{"id":179,"date":"2025-12-13T15:13:41","date_gmt":"2025-12-13T15:13:41","guid":{"rendered":"http:\/\/www.magalibenso.art\/?page_id=179"},"modified":"2026-04-05T04:23:17","modified_gmt":"2026-04-05T04:23:17","slug":"presse-textes","status":"publish","type":"page","link":"https:\/\/www.magalibenso.art\/index.php\/presse-textes\/","title":{"rendered":"Textes | Presse"},"content":{"rendered":"

[et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bb#000000″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttp:\/\/www.magalibenso.art\/wp-content\/uploads\/2026\/01\/Anne-Sechet-_Em-brasser-les-mondes-invisibles-2-copie-scaled.jpg\u00a0\u00bb title_text=\u00a0\u00bbAnne Sechet _Em-brasser les mondes invisibles-2 copie\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb||1px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#b7b7b7″ custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Texte Anne S\u00e9chet – Artiste, Curatrice.<\/em><\/span><\/p>\n

[\/et_pb_text][et_pb_image src=\u00a0\u00bbhttp:\/\/www.magalibenso.art\/wp-content\/uploads\/2026\/01\/Reseau-Botox-parution-2024.png\u00a0\u00bb title_text=\u00a0\u00bbRe\u0301seau Botox – parution 2024″ _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttp:\/\/www.magalibenso.art\/wp-content\/uploads\/2026\/01\/Anne-Sechet2-_Em-brasser-les-mondes-invisibles–scaled.jpg\u00a0\u00bb title_text=\u00a0\u00bbAnne Sechet2 _Em-brasser les mondes invisibles\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ _builder_version=\u00a0\u00bb4.27.6″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttp:\/\/www.magalibenso.art\/wp-content\/uploads\/2026\/01\/Rencontre2-Silvia_Vendramel-Magali_Benso-scaled.jpg\u00a0\u00bb title_text=\u00a0\u00bbRencontre2 Silvia_Vendramel Magali_Benso\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb||-2px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Entretien Silvia Vendramel \/ Magali Benso<\/em><\/span><\/p>\n

[\/et_pb_text][et_pb_image src=\u00a0\u00bbhttp:\/\/www.magalibenso.art\/wp-content\/uploads\/2026\/01\/Installation-\u00a9-Magali_Benso-1-scaled.jpg\u00a0\u00bb title_text=\u00a0\u00bbInstallation \u00a9 Magali_Benso\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb||-2px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_line_height=\u00a0\u00bb1.4em\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding=\u00a0\u00bb|||6px||\u00a0\u00bb min_height=\u00a0\u00bb912.8px\u00a0\u00bb]<\/p>\n

tout EM-BRASSER LES MONDES INVISIBLES<\/em><\/span><\/p>\n

La Chambre des Connexions – La Chambre des Conversions<\/em><\/span><\/em><\/span><\/p>\n

E<\/em><\/span>xtrait de l’entretien avec Silvia Vendramel<\/em><\/span><\/p>\n

S.V : Comment tu as v\u00e9cu cette exp\u00e9rience ?<\/span><\/p>\n

M.B : Je n\u2019avais jamais r\u00e9alis\u00e9 d’espaces immersifs, je suis tr\u00e8s heureuse qu\u2019Anne S\u00e9chet m\u2019ait permis de le faire dans ce lieu.<\/span><\/p>\n

S.V : Depuis combien de temps tu avais ce projet en t\u00eate ?<\/span><\/p>\n

M.B : Ce n’\u00e9tait pas de l’ordre du projet d\u00e9fini, mais cette r\u00e9flexion sur les \u00e9tats de conscience modifi\u00e9s, sur notre perception des mondes non visibles, je le porte depuis tr\u00e8s longtemps, c\u2019est une sorte de fil rouge qui traverse tout mon travail.<\/span>
Mais pour r\u00e9pondre plus concr\u00e8tement \u00e0 ta question, la r\u00e9sidence \u00e0 la MDAC a dur\u00e9 4 mois pendant lesquels j\u2019ai occup\u00e9 les espaces visibles tout en me demandant comment j\u2019allais, paradoxalement, parler des espaces invisibles. C’\u00e9tait la grande question ! (rires) <\/span>
Peu \u00e0 peu l\u2019 immersivit\u00e9 s\u2019est impos\u00e9e car elle permet la \u00abdisruption \u00bb mental-corps. Quand le corps ressent avant que le mental n’interpr\u00e8te, l\u2019\u00e9cart cr\u00e9\u00e9 est propice au surgissement de cette perception.<\/span><\/p>\n

S.V : Comment as-tu pris la d\u00e9cision de s\u00e9parer, ou plut\u00f4t, donner une identit\u00e9 aux deux espaces ; La Chambres des Connexions , La Chambre des Conversions?<\/span><\/p>\n

M.B :\u00a0 Il y avait ces deux salles vraiment contig\u00fces avec ce passage \u00e9troit. Tu sais comment \u00e7a se passe quand on arrive dans un lieu, il porte en lui d\u00e9j\u00e0 quelque chose. J\u2019essayais de voir justement comment je pouvais l’articuler par rapport \u00e0 mon propos pour qu’il devienne intrins\u00e8quement agissant. Il y avait ces deux espaces s\u00e9par\u00e9s, pas \u00e0 la m\u00eame hauteur mais qui se r\u00e9pondaient avec une petite ouverture entre les deux. <\/span><\/span>Ce petit passage a permis de \u00ab\u00a0filtrer\u00a0\u00bb les sons binauraux qui occupaient pleinement La Chambre des Connexions de mani\u00e8re \u00e0 ce qu’ils soient toujours pr\u00e9sents mais tr\u00e8s att\u00e9nu\u00e9s dans la Chambre des Conversions, c’\u00e9tait pr\u00e9cis\u00e9ment ce que je recherchais.<\/span><\/p>\n

(\u2026)<\/span><\/p>\n

Edition 2026 \u00e0 paraitre<\/em><\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttp:\/\/www.magalibenso.art\/wp-content\/uploads\/2026\/01\/Magali_Benso_Nice-matin_Lacunae-2024-.jpg\u00a0\u00bb title_text=\u00a0\u00bbMagali_Benso_Nice-matin_Lacunae 2024″ _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb-22px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Parution Nice-matin<\/em><\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Arboretum de Roure Marcel Kroenlein – <\/em><\/span><\/p>\n

No MadeExposition collective\u00a0<\/em><\/span><\/p>\n

\u00c0 propos de l<\/em>a \u00ab zone de non-intervention \u00bb –<\/span>\u00a0<\/em><\/span><\/p>\n

Par sa nature m\u00eame, la zone non-intervention devient un espace de fascination, un ilot sauvage \u00e0 part, qui aiguise paradoxalement notre d\u00e9sir de l’appr\u00e9hender, de le conna\u00eetre, voire de le <\/em>poss\u00e9der symboliquement. <\/em><\/span><\/p>\n

Le d\u00e9sir humain de s’approprier le monde dans sa totalit\u00e9, exacerb\u00e9 par l’av\u00e8nement des technologies num\u00e9riques, montre sa limite. <\/em>La restitution des \u00e9l\u00e9ments de ce territoire sauvage, qu’ils soient v\u00e9g\u00e9taux, min\u00e9raux, animaux ou sonores, reste partielle, fragmentaire. Malgr\u00e9 nos outils de plus en plus <\/em>sophistiqu\u00e9s, la nature r\u00e9siste toujours \u00e0 une capture totale et exhaustive.<\/em><\/span><\/p>\n

 <\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Texte Anne S\u00e9chet – Artiste, Curatrice.Entretien Silvia Vendramel \/ Magali Bensotout EM-BRASSER LES MONDES INVISIBLES La Chambre des Connexions – La Chambre des Conversions Extrait de l’entretien avec Silvia Vendramel S.V : Comment tu as v\u00e9cu cette exp\u00e9rience ? M.B : Je n\u2019avais jamais r\u00e9alis\u00e9 d’espaces immersifs, je suis tr\u00e8s heureuse qu\u2019Anne S\u00e9chet m\u2019ait permis […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-179","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.magalibenso.art\/index.php\/wp-json\/wp\/v2\/pages\/179","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.magalibenso.art\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.magalibenso.art\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.magalibenso.art\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.magalibenso.art\/index.php\/wp-json\/wp\/v2\/comments?post=179"}],"version-history":[{"count":12,"href":"https:\/\/www.magalibenso.art\/index.php\/wp-json\/wp\/v2\/pages\/179\/revisions"}],"predecessor-version":[{"id":766,"href":"https:\/\/www.magalibenso.art\/index.php\/wp-json\/wp\/v2\/pages\/179\/revisions\/766"}],"wp:attachment":[{"href":"https:\/\/www.magalibenso.art\/index.php\/wp-json\/wp\/v2\/media?parent=179"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}